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Publication: Jazz Chill Music
Date: March 29, 2025

Acclaimed singer and actress Ute Lemper is set to release her highly anticipated new album, Pirate Jenny, on April 25 via The Audiophile Society. The album marks a special tribute to Kurt Weill, the revolutionary composer, in celebration of his 125th birthday. Nearly four decades after her groundbreaking album Ute Lemper Sings Kurt Weill, Lemper presents a fresh, electrifying reimagining of Weill’s iconic songs, blending his timeless melodies with a modern groove.

First Single “Mack the Knife” Now Available

To kick off the celebration, Ute Lemper has released the first single, “Mack the Knife”, on March 2—the very day of Kurt Weill’s 125th birthday. This marks the beginning of a journey through Weill’s music, with upcoming singles like “Speak Low” from One Touch of Venus and “Pirate Jenny” from The Threepenny Opera.

Pirate Jenny showcases Lemper’s sultry vocals and atmospheric beats, merging classic Weill with modern rhythms. With The Audiophile Society’s Mega-Dimensional Sound™, the album transports listeners to a smoky Berlin jazz club, evoking the spirit of Lemper’s iconic roles as Sally Bowles in Cabaret and Velma Kelly in Chicago.

A Bridge Between Eras: “Weimar Meets the Club”

Lemper explains her vision for Pirate Jenny: “This project is about creating a new audience for Kurt Weill by blending his timeless melodies with a contemporary groove. I’m opening the door for younger listeners who might not know his work. It’s about building a bridge between eras, where Weimar meets the club.”

Live Performances at 54 Below

To further bring Pirate Jenny to life, Lemper will perform some of Weill’s most beloved classics live at 54 Below in New York City on Tuesday, May 27 and Thursday, May 29. Don’t miss this opportunity to experience these unforgettable songs in an intimate setting.

A Legacy of Reinvention: Ute Lemper’s Musical Journey

A Billboard Crossover Artist of the Year, Ute Lemper has built an illustrious career that spans a wide range of musical styles. Known for her powerful interpretations of legends like Marlene Dietrich, Edith Piaf, and Jacques Brel, Lemper has also collaborated with modern icons such as Tom Waits, Nick Cave, Elvis Costello, and Roger Waters (in The Wall: Live in Berlin).

With Pirate Jenny, Lemper reinvents Kurt Weill’s classic works for today’s audience, blending cabaret, jazz, and groove into a thrilling new experience. This album is not just a revival—it’s a re-invention of the music that shaped generations.

Tracklist & More

  • First Single: “Mack the Knife” – Available Now
  • Full Album Release: Pirate Jenny – Out April 25, 2024
  • Live Performances: Ute Lemper at 54 Below – May 27 & 29, 2024

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Publication: EINPresswire
By: Andrew Gesner
Date: March 18, 2025

Musical Theatre Icon Ute Lemper releases her reimagined take of “Mack The Knife”

ROSELLE PARK, NJ, GERMANY, March 18, 2025 /EINPresswire.com/ — Everybody knows the tune. But not everyone realizes the meaning that animates the song. “Mack the Knife” is one of the true standards of International pop and jazz — a song with an instantly recognizable melody, an intoxicating sway, and an undercurrent of thrilling menace. It’s also a broadside against the powers, an examination of corruption, and a warning shot directed toward the rich and powerful. Composer Kurt Weill and lyricist Bertolt Brecht were two of the original dissidents in international popular culture, and they poured their critique of manners and money-worship into The Threepenny Opera, their staggeringly influential 1928 musical. Louis Armstrong and Bobby Darin have recorded the tale of the murderous Macheath; Jim Morrison used to turn to it when he wanted to add a little extra drama to his dangerous performances. Now, it’s been cut by one of the first voices of musical theater: the incomparable Ute Lemper.

The new version of “Mack the Knife” is the introductory track on Pirate Jenny, a full-length tribute to the music of Kurt Weill that includes plenty of words by Bertold Brecht, too. The collection of groundbreaking songs gives Lemper plenty of latitude to do what she does best — dazzle audiences with her interpretive singing, nuanced understanding of character, and musical daring. In a sense, she’s carried Brecht and Weill with her throughout her career: she’s brought their incisive sensibility to all of her roles, especially her famous turn as Sally Bowles in Cabaret, a show filled with musical and lyrical allusions to The Threepenny Opera. For many longtime listeners, Pirate Jenny will sound like a homecoming.

At the same time, Lemper’s take on “Mack the Knife” is a radical one, informed by contemporary trends and current events. She reconstructs the harmonic underpinnings of the song and introduces a beat that alludes to trip-hop and experimental pop. Lemper also fully inhabits the character, emphasizing Macheath’s amorality, his restlessness, and his bloodlust. In a clip she directed herself, she takes on the role of the killer, fitting herself with reflective sunglasses and drifting through a slumbering New York City. Her Macheath sails straight past the banks and the police cars — symbols of authority — intent as she is on a mission that has taken on chilling vengeful overtones. Lemper interspersed clips from her celebrated 1990 performance of “Bouffes Du Nord.” It is, simultaneously, a reminder of her stellar history, where she’s going, and who she has always been.

More Ute Lemper at HIP Video Promo
More Ute Lemper on her website
More Ute Lemper on Instagram

Andrew Gesner
HIP Video Promo
+1 732-613-1779
info@hipvideopromo.com

Click here to read he article on EINPresswire’s site

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Publication: Fox40
By: Andrew Gesner
Date: March 18, 2025

Musical Theatre Icon Ute Lemper releases her reimagined take of “Mack The Knife”

ROSELLE PARK, NJ, GERMANY, March 18, 2025 /EINPresswire.com/ — Everybody knows the tune. But not everyone realizes the meaning that animates the song. “Mack the Knife” is one of the true standards of International pop and jazz — a song with an instantly recognizable melody, an intoxicating sway, and an undercurrent of thrilling menace. It’s also a broadside against the powers, an examination of corruption, and a warning shot directed toward the rich and powerful. Composer Kurt Weill and lyricist Bertolt Brecht were two of the original dissidents in international popular culture, and they poured their critique of manners and money-worship into The Threepenny Opera, their staggeringly influential 1928 musical. Louis Armstrong and Bobby Darin have recorded the tale of the murderous Macheath; Jim Morrison used to turn to it when he wanted to add a little extra drama to his dangerous performances. Now, it’s been cut by one of the first voices of musical theater: the incomparable Ute Lemper.

The new version of “Mack the Knife” is the introductory track on Pirate Jenny, a full-length tribute to the music of Kurt Weill that includes plenty of words by Bertold Brecht, too. The collection of groundbreaking songs gives Lemper plenty of latitude to do what she does best — dazzle audiences with her interpretive singing, nuanced understanding of character, and musical daring. In a sense, she’s carried Brecht and Weill with her throughout her career: she’s brought their incisive sensibility to all of her roles, especially her famous turn as Sally Bowles in Cabaret, a show filled with musical and lyrical allusions to The Threepenny Opera. For many longtime listeners, Pirate Jenny will sound like a homecoming.

At the same time, Lemper’s take on “Mack the Knife” is a radical one, informed by contemporary trends and current events. She reconstructs the harmonic underpinnings of the song and introduces a beat that alludes to trip-hop and experimental pop. Lemper also fully inhabits the character, emphasizing Macheath’s amorality, his restlessness, and his bloodlust. In a clip she directed herself, she takes on the role of the killer, fitting herself with reflective sunglasses and drifting through a slumbering New York City. Her Macheath sails straight past the banks and the police cars — symbols of authority — intent as she is on a mission that has taken on chilling vengeful overtones. Lemper interspersed clips from her celebrated 1990 performance of “Bouffes Du Nord.” It is, simultaneously, a reminder of her stellar history, where she’s going, and who she has always been.

More Ute Lemper at HIP Video Promo
More Ute Lemper on her website
More Ute Lemper on Instagram

Andrew Gesner
HIP Video Promo
+1 732-613-1779
info@hipvideopromo.com

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Publication: the Roundtable with Robert Bannon
By: Robert Bannon
Date: March 14, 2025

We have a Grammy Nominated, Broadway/Theatre Superstar with us today!

Click the image to view the clip

Ute Lemper’s decades-long career spans stage, film, and music, with over 30 recordings. Renowned for her interpretations of Berlin Cabaret, Kurt Weill, Brecht, and chanson legends like Marlene Dietrich and Edith Piaf, she has also starred in major musicals across Broadway, the West End, Paris, and Berlin. She won the American Theater World Award and the Laurence Olivier Award for her performance as Chicago’s Velma Kelly in the West End and on Broadway, the Molière Award for her performance as Cabaret’s Sally Bowles in Paris, among others, and earned Grammy nominations.

To celebrate revolutionary composer Kurt Weill’s 125th birthday on March 2, acclaimed singer & actress Ute Lemper released “Mack the Knife,” the new single & video from her album Pirate Jenny, out April 25 via The Audiophile Society.

The music video, single, and tickets for her return to 54 Below are now out!

For more check it out on @broadwaypodcastnetwork

#german #broadway #westend #chicago #theatre #macktheknife #utelemper @Shore Fire Media